Tuesdays child is ………

Tuesday started early for Martin as he had an on-site interview with BBC radio Gloucester, and he also wanted to do some recording of what we had found so far before we all appeared trowels in hand.

Mike and the rangers came to help remove some of Sir Ian Richmond’s  concrete and start digging the next area in the apsidal room.

The concrete strips removed and work begins to find out  what they covered

The concrete strips removed and work begins to find out what they covered

Martin, Rob and Luke lifted the geo-textile and cleaned back the degraded ‘opus signinum’ roman concrete floor just in front of the bath house. Which was the layer /level that the excavations in 2000 stopped at.

Luke and martin cleaning the top of the opus signinum floor

Luke and martin cleaning the top of the opus signinum floor

Charlotte excavating in the apsidal room
Charlotte excavating in the apsidal room

 

 

We had some extra help today from Charlotte who luckily had some time to come and have a dig with us. She did a great job and found some lovely pieces of box flue tile and some tesserae from a mosaic floor. Thank you Charlotte, keep digging 🙂

 

 

 

 

A very happy Charlotte with some of the flue tile she found

There was great excitement in the afternoon when Fay found a coin, and yes it was a Roman one! It is very worn but you could still make out the Emperors head, he had a particular hair style that helped date it. I call it a bobble hair tie type but I am sure there is a much more technical term 🙂 It is from the 330s/340s and according to Roger the coin man on site it looked like it was from within the House of Constantine period.

The coin, the Emperor is looking to your right

The coin, the Emperor is looking to your right

Just when we were starting to ease down ready to stop for the day, Tony found some  tesserae  grouped together in the apsidal room. There were more and …….. then we had to pack up!  Maybe we will find it goes on further, do we have a floor , as they say tomorrow is another day…….

The patch of mosaic Tony found at the end of the day

The patch of mosaic Tony found at the end of the day

Monday morning, Monday morning ……

 

'Lets get sorted, the spoil heap can go here and the tool store here'

‘Lets get sorted, the spoil heap can go here and the tool store here’

We are back at Chedworth Villa for two more weeks of excavation, it was a  sunny warm day, the birds were singing and Swallows swarmed above our heads. This year we are investigating three areas, the raised area in front of the North bath house, the apsidal room next to it and more of the ‘water feature’ we worked on last year.

Wonder if we will find a mosaic in this room?

Wonder if we will find a mosaic in this room?

Nathan, Amy and Fay set to work in the apsidal room hoping for a mosaic under the turf, they started to find animal bones, flue tile and many tesserae (small cubes of stone and tile) sadly all the tesserae were lose and non were joined together into a floor!

Meanwhile, Rob, Luke, Max, Martin and Jan started on the upper area in front of the bath house. This area had been partly excavated 15 years ago. They cleaned back the site and removed the gravel down to the geo-textile that was put down over the previously excavated area, tomorrow we should be able to lift it to reveal what they found.

Due to the dry conditions cleaning back proved very dusty!

Due to the dry conditions cleaning back proved very dusty!

We are up and running, who knows what tomorrow will reveal. We have the Ranger team in to remove a small amount of Sir Ian Richmond’s concrete and have a go at excavating, so the site should change quite quickly.

Marvel at the marble

Just before Christmas I headed to Oxford to meet with Emma Durham, who is working on the Chedworth antiquarian collections, and we then headed to the Ashmolean Museum to meet marble expert Susan Walker, Keeper of Greek and Roman Antiquities.

Ashmolean Museum, Oxford

Ashmolean Museum, Oxford

We both had finds bags with various pieces of marble from past and recent excavations at Chedworth Roman Villa. The piece I had was the one found in August 2014 (see post Day 12 – last discoveries and careful covering). Emma had a few pieces from the original excavations in the 1860s.

We met Susan and were led through a maze of stairs and corridors to her book-filled office, she cleared a space on the table and we handed over our treasures. We opened our notebooks and waited, pens at the ready. Susan looked at each piece of marble in turn and made a few interesting opening comments. Three pieces that looked slightly different in surface colour turned out to fit together into a larger piece, others were different in thickness and marble type. After a few questions about the site and finding of the pieces, Susan started to tell us the story she saw in the marble.

All the marble looked to be East Mediterranean, and most pieces seem to be wall veneers, but are quite thick, which may indicate use in a bath house or water feature. Some of the marble looks to be  from Paros, which was favoured for water features. I think the pattern in the marble added to the effect, when under water, of movement.

While drawing the plan of the site we found a mottled stone which on closer inspection turned out to be a piece of marble. An exotic material brought to the villa to decorate an architectural feature or perhaps part of a panel on a piece of furniture.

While drawing the plan of the site we found a mottled stone which on closer inspection turned out to be a piece of marble. An exotic material brought to the villa to decorate an architectural feature or perhaps part of a panel on a piece of furniture.

Susan identified one piece that was worked along the edge, part of a basin, tank, vessel or sink, and most likely came from Proconnesus in the Sea of Marmara. She was amazed this got all the way to Chedworth. She explained that the marble was probably all 2nd/3rd century (Severan) due to the type of marble that was quarried then. At that time the set up with marble was that the Emperor had first call on any marble and only small amounts were then available to others, some of which would be exported to Britain and come in via London. It seems that, to be able to acquire this kind of marble, the person who owned Chedworth Villa had a very high status.

The questions this raises are to do with the dates. Was the marble used in the earlier villa on the site (2nd century) or was it reused marble acquired for the later villa (4th century) from somewhere else? Have there been other finds of these marble types in the area, in Cirencester for example, and how much has been found in the country as a whole? Once again more questions than answers, so onward we go with more research and potentially more exciting discoveries.

Emma and I left the museum with big grins on our faces. It had been a very exciting encounter, thank you Susan for bringing this stone to life, and I hope I have interpreted my scribbled notes right!

Oh, and I must not forget the piece we dug up this year; it’s called Cipollino, little onion marble, probably from the Greek island of Euboea.

A close up of 'Little Onion' the marble found during the 2014 excavations

A close up of ‘Little Onion’ the marble found during the 2014 excavations

 

 

All about Eve: Chedworth, the Mithraeum and 1954

I found these letters a couple of weeks ago in brown paper envelopes hidden within the archive of the Oxford professor and Roman era specialist Sir Ian Richmond. The Richmond archive is in the Sackler Library, Oxford.

The letters are from Eve Rutter who was engaged by the National Trust on advice from the Ashmolean Museum to begin excavations at Chedworth Roman Villa after a research gap of 20 years. Her work was good but she was rather brushed aside by Sir Ian …who took over and carried on working at Chedworth for another 10 years .

The newly qualified graduate Eve Rutter began modern excavation at Chedworth 60 years ago.. spending the late summer of 1954 at the villa before starting her new job at the Guildhall Museum London working with a team to record the archaeology of WWII bomb damaged London as it was being redeveloped.

I give you the story in the letters copied below

27th July 1954 Oxford

Dear Mr Irvine (National Trust Custodian Chedworth Roman Villa)

This is about the proposed excavation at Chedworth..I am unable to do it myself at that time of year so we have the services of Miss Eve Rutter who has just taken her final exams here and has already been on many excavations including one she has directed herself so I think she will do it very well. Would you and Mrs Irvine be able to put Miss Rutter up during the excavation as she has no means of transport….

Best wishes Yours sincerely Mr D. Harden Keeper Ashmolean.

Plan of Chedworth before Eve Rutter's excavation.  The 'Porter's Lodge is the small room (IX) bottom left on the plan protruding south of the south range.

Plan of Chedworth before Eve Rutter’s excavation. The ‘Porter’s Lodge is the small room (IX) bottom left on the plan protruding south of the south range.

13th August 1954 Long Crichel House, Wimborne Minster, Dorset

Dear Miss Kirk (Joan Kirk Assistant Keeper Ashmolean Museum, Oxford)

After getting your letter, I had a chat with Irvine who thinks that two men for a week might be enough..After having Lord Vestey’s men for a week after harvest we may have to pay for additional help… I hope you feel you can go ahead. Of course if the dig reveals some wonderful finds you may be tempted to go slow and then the labour problem will grow more serious…

Yours sincerely Eardley Knollys National Trust Regional Representative.

28th September 1954 Chedworth

Dear Mr Harden

Herewith the plan of the excavation at Chedworth: any suggestion as to what the well drained room is will be welcome….

Plan and sections drawn by Eve Rutter of the 1954 excavation

Plan and sections drawn by Eve Rutter of the 1954 excavation

Could this have been a scullery – old farms do have similar drains in their sculleries although not such a complicated trip up pattern!

I hope you have found all the things returned alright. Mr Ovenall was on duty when I came in on the Sunday. I don’t know whether Joan has returned: I thought she said she would be away a week but the Museum said two?

The glass fragments, mainly from one vessel I think, although few seem to fit, came from the first trench and were associated with a Rhenish thumb indented jar. Is any result yet available on the bracelet?

..the NT has asked for a report and plan to be available for the annual general meeting on 12 Oct to liven up the members and if I could have a photograph or two to include, the dig might look a little better – the Mithraeum is setting a high standard of what the public expect!

I go to the Guildhall on Friday. The Mithraeum is very interesting although I can’t help feeling that many of the thousands must have been disappointed at the rather wet stonework. Life there is very hectic consisting chiefly in an attempt to avoid too many press reporters all seeking to see the latest head!

Please send the photographs to the Guildhall as time is running rather short.

With best wishes, yours sincerely Eve

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9th October 1954 Ibthorpe, Hurstbourne Tarrant

Dear Joan

Thank you so much for your letter and help over the Chedworth stuff. I enclose what I hope will be an adequate report for the NT…

I am enjoying life at the Guildhall very much indeed although it is extremely hectic there at the moment. The other morning we were crowded out by the press (a usual event in the past Mithraeum statue-a-day week).. The statuary is absolutely fantastic – Miss Toynbee says that the Serapis head is as good, if not better than anything in the Rome museums…

Best wishes to all Eve

October 1954

The aim of the short excavation was to discover if the mound to the south of the south wing had been disturbed since Roman times, and if not, whether it merited further investigation and, incidentally, whether the present reconstruction walls of the south wing are correctly aligned….
Eve Rutter

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18th October 1954, Queen Anne’s Gate, London

Dear Miss Kirk Joan Kirk, Dept of Antiquities, Ashmolean Museum, Oxford

I was delighted to get Miss Rutter’s fascinating report on the excavations. I should like you to know how how grateful the Trust is to the Museum for undertaking this work on our behalf…

As regards the possibility of further excavation next year, I am asking Mr R. Stewart-Jones our representative for Gloucestershire to get in touch with you…

Yours sincerely R. Romilly Fedden

18th October 1954, Warwick Road, Earls Court, London

Dear Joan

..I sent the Chedworth photographs per express and hope they will arrive in time. I enclose the bill for the film and some drawing paper…

I am interested in Richard’s “C.I.D.” investigations on the bracelet. It was not close by the coffin, at least not close enough to be part of the burial I shouldn’t think. Anyway the details I could gather from Mr Irvine about the burial suggested that anything worn by the child when inside it could not have slipped outside the coffin stones, or if it had only just down the side. There were no human bones otherwise associated with it. Anyway I shall be glad to hear Richard’s final verdict. Gold sounds exciting, quite beyond one’s wilder dreams: I only hope this doesn’t mean that I shall be pursued by coroners seeking to prove that the owner is still alive and presently returning to recover his lost possessions!
Life at the Guildhall has become less hectic this week. Mr Cook and Mr Merrifield are very kind and have made me feel very welcome. Mr Cook seems a little worried that I shall expect every excavation to produce marble heads!

…In the afternoon I went down to the site and the temple has produced a very nice door step..The “reconstruction”, if one can call the pile of Roman used debris so, is a pathetic affair and the way they are carving the original up with electric drills is tragic.

How is Oxford? it seems odd not to be pottering about it. Look after yourself and don’t catch any more peculiar diseases ‘cos I shan’t come out to the Slade this year Love Eve

6th November 1954 Warwick Road, Earls Court, London

Dear Joan

Re the Chedworth stuff Mr Irvine asked if it were possible to have a short report for the Museum. Secondly, were two coins amongst the stuff I brought back? Mr Ovenall said he would have them sent to Dr Sutherland. Only one is from the site, the other was given to Mr Irvine by a local forester for identification.

John Harris tells me that the “graffiti” “samian” looks suspicious. I haven’t looked at it myself apart from giving it a hasty clean. It should be alright according to the level it came from. Has Dr Harden had a chance to look at it yet? I should be interested to know the date as it was found in connection with the Rhenish ware which is the only apparently early pottery amongst fourth century pie dishes etc..

Hope to see you fairly soon. Give my regards to Roper and Miss Carter Yours Eve

5th March 1955 The Roman Inscriptions of Britain

Dear Miss Kirk

Thank you for sending me the Chedworth graffito for examination.
I read the graffito as ABCDEFGHI[… It is not clear whether further letters were cut or whether the space after I marks the termination of the original text. The letter forms are of Roman type and unlike modern falsifications. This graffito may have been cut when the bowl was intact or on this sherd after the fracture of the bowl.
If space allows, I should like to include this in my next JRS report.
Yours sincerely R.P.Wright

8th March 1955 Ashmolean Museum, Oxford

Dear Eve

I am enclosing a copy of Mr Wright’s letter about the Chedworth sherd with the alphabet on it, from which you will see that it is perfectly good Roman graffito. If you felt like it you might drop him a line to say that you would be glad for him to publish it in J.R.S.

Yours ever Joan

25th June 1956 Guildhall Museum, Royal Exchange, London

Dear Dr Harden

Thank you very much for your letter which greeted my return home. France in many ways was maddening…

As regards to Chedworth, I am interested to continue the excavation of the Porter’s Lodge area to see whether there is a definite clue as to what it is..

I don’t like to ask Mr Cook to “wangle” me the extra time off which Chedworth would probably involve. However, if it is a case of now or never with the National Trust I could ask him about the possibility..

I have wondered whether anything should be due in the way of an interim report..should the local archaeological society at least have a note of what was found in their reports…

I hope you enjoy the conference and have good weather Best wishes Yours sincerely Eve

Transactions of the Bristol and Gloucestershire Archaeological Society Vol 78 1959

the so-called Porter’s Lodge (Room 2) which was proved by excavations conducted by Miss Eve Rutter, now Mrs Harris, to have had a very different purpose. It proved to have been twice reconstructed, serving as a latrine in the first and second existence, but deprived of the sanitary fittings in the final stage. Sir Ian Richmond

Guildhall Museum Reports..Coleman St. E. Rutter 1956; Lombard St E. Rutter 1957; Clarence Place E.Rutter 1958; Midland Bank Gresham St 1959 E. Harris & and P. Mardsen; Oldgate Hill E. Harris 1960.

19th December 2014

Dear Martin

The Museum of London has forwarded your enquiry to me. I worked with Eve Rutter in the 1950s employed to record the archaeology while the old WWII bomb sites were being developed within the City. She married a John Harris and left the Guildhall Museum in the early 1960s. He was a specialist in the cult of Mithras I think.

Sorry not to be of more help.

With best wishes

Peter
……

Eve Harris and John R. Harris, 1965, The Oriental Cults in Roman Britain.

……

Eve arrived during great excitement: the extent of Londinium’s temple of Mithras was beginning to be revealed together with its exotic statues and carvings (see British Archaeology no 140, Jan-Feb 2015). The discovery caused great excitement in the press, thousands queued to visit the site. The P.M., Winston Churchill stepped in to give the archaeologists more time.. but the temple was eventually broken up and re-erected by the building developers.. the structure blocked their construction site.

Museum of London is involved in a new project to rebuild it in a far more authentic way in the next few years using the information collected by the London archaeologists back in 1954.

Through Mithras, Eve met her husband and together they published a definitive work on eastern religions in Roman Britain.

I wonder where her archaeological career took her after that…

It would be good to speak to her about her memories of Chedworth all those years ago.

Day 12 Last discoveries and Careful Covering

Why can’t we keep it open? We just can’t. It would quickly be mashed by Chedworth’s winter frosts. Weeds would colonise the tesserae and roots break up the pattern. We can’t expose something and allow it to be trashed. So the last day was backfill day.

Bill and his team setting up the laser scanner to make a 3D record of the mosaic surface. Interesting Dr   Who style white station orbs.

Bill and his team setting up the laser scanner to make a 3D record of the mosaic surface. Interesting Dr Who style white station orbs.

Nancy had sourced the right sort of cover fabric. Nicki had got it sent by courier to make sure it arrived on time. While I completed the site record, drawing the plans and sections and writing up the context sheets, Nancy organised the covering. Sandbags were filled with topsoil to support the mosaic edges and fine topsoil was placed on the terram sheet.

Visitors hurried from reception to get a last glimpse before the mosaic was consigned to the dark once again. 150 years since its first discovery.

While drawing the plan of the site we found a mottled stone which on closer inspection turned out to be a piece of Italian marble.   An exotic material brought to the villa to decorate an architectural feature or perhaps part of a panel on a  piece of furniture.

While drawing the plan of the site we found a mottled stone which on closer inspection turned out to be a piece of Italian marble. An exotic material brought to the villa to decorate an architectural feature or perhaps part of a panel on a piece of furniture.

So with all this highly accurate digital recording why measure and draw it the old fashioned way? Well.. it’s all about relationships. One has to touch the soil, by measuring you question what you seen. The closer you look, the more you understand and spotting something on a scan once the site is backfilled is too late. That’s my excuse for playing around with tape measures and a drawing board while 11 days of spoil were being heroically relocated in a single day.

A light misty rain fell every now and then, making drawing difficult. I measured a piece of stone which I thought at first was slate but turned out to be a corner piece from an Italian marble panel. Proving again that this place was an opulent mansion and we now see only the bare bones of something which was once quite magnificent.

The last pieces of excavation in room 'e' revealed that the wall was later than the east -west wall on the right but earlier than the colonnade wall (top left) because it runs under it.  Water probably entered the feature from the baths  (top left) and drained out of the centre of the   east side (bottom right).

The last pieces of excavation in room ‘e’ revealed that the wall was later than the east -west wall on the right but earlier than the colonnade wall (top left) because it runs under it. Water probably entered the feature from the baths (top left) and drained out of the centre of the east side (bottom right).

The water feature in ‘e’ became even more confusing when I asked Rob to make a narrow trench to link his 1.2m square trench in the south-west corner of the building towards the mosaic to the north. The square trench had been filled with Victorian backfill 1.0m deep from top to bottom but the northern extension found a Roman mortar floor at 0.4m and by making the north side of the square trench vertical it became clear that our trench had copied the Victorian exploratory trench and everything north of it appeared to be undisturbed Roman.

IMG_7993

Too late to understand it better. The north extension did not find a flight of steps into a bath but a rough mortar shelf with fragments of blue lias slabs crushed into its surface. We can imagine a supply of used water from the baths entering this feature from the north and perhaps surrounding a statue or fountain within the building before leaving via the drain we know about on the east side. We know a bit more about this feature now but not enough. We need to look around for some comparisons.

Rob's trench across our 'water feature' in 'e'. He extended his 1.2m square trench in its SW corner north towards the mosaic room wall. The big block of stone is part of the late Roman colonnade wall which is contemporary with the mosaic. It runs over an earlier wall line which you can see at the end of the trench on the right hand side of the stone.   Rob's extension picked up an uneven mortar floor which sloped down towards the square trench and has blue lias stone slabs broken onto its surface. The filling of the square trench had all been Victorian backfill but by cleaning the north trench wall back the Roman mortar surface could be seen overlying a compacted clay layer.  So there was a Roman platform of clay and mortar extending into the walled 'water feature' Had the Victorians dug through it or was the south side meant to be deeper. Over 1.0m deep from the wall top to the stone and mortar base.

Rob’s trench across our ‘water feature’ in ‘e’.
He extended his 1.2m square trench in its SW corner north towards the mosaic room wall. The big block of stone is part of the late Roman colonnade wall which is contemporary with the mosaic. It runs over an earlier wall line which you can see at the end of the trench on the right hand side of the stone. Rob’s extension picked up an uneven mortar floor which sloped down towards the square trench and has blue lias stone slabs broken onto its surface. The filling of the square trench had all been Victorian backfill but by cleaning the north trench wall back the Roman mortar surface could be seen overlying a compacted clay layer. So there was a Roman platform of clay and mortar extending into the walled ‘water feature’ Had the Victorians dug through it or was the south side meant to be deeper. Over 1.0m deep from the wall top to the stone and mortar base.

Sir Ian Richmond’s walls did exist. Sometimes they were buried quite deep below his concrete but they existed. We did not prove or disprove the interpretations as early baths he gave them.

A trench to test one of Sir Ian's walls. This one lay 0.3m deeper than the base of his interpretive concrete walls. The line of the buried wall would have  continued east under the centre of the 'Reception Room' mosaic. Our extension trench only found the mortar bedding for the mosaic with one or two fragments at the edges.

A trench to test one of Sir Ian’s walls. This one lay 0.3m deeper than the base of his interpretive concrete walls. The line of the buried wall would have continued east under the centre of the ‘Reception Room’ mosaic. Our extension trench only found the mortar bedding for the mosaic with one or two fragments at the edges.

Finally I was finished with the recording and threw myself fresh into the backfilling and hit a wall of congealed rubble, mud and clay. The rain had mingled with the spoil heap, seeped down to the waterproof tarpaulin fusing it into an unyielding barrier. Shifting it was very hard work but everyone worked so hard to put it back where it came from and eventually we saw the grass again and the vast heap of dirt had gone.

This is the earliest layer we reached a cobbled floor surface which is covered by the 'water feature' west wall which itself pre-dates the mosaic floor.

This is the earliest layer we reached a cobbled floor surface which is covered by the ‘water feature’ west wall which itself pre-dates the mosaic floor.

Thank you so much to everyone who helped over the two weeks and all the encouragement of the Chedworth staff and volunteers and of course the visitors who cheered us on…but Nancy and I would particularly like to thank the Bank Cottage stalwarts Harry, Carol, Kate and Fay.

All safely covered up again.

All safely covered up again.

Day….10…The Plaster and the Scanner

I looked in the mirror at 6 today.. the days have taken their toll not a good day to meet the DG.

Chedworth at 7.30 is very beautiful. Quiet, with house martins flitting across the blue!! whispy cloud-flecked sky and the low sunlight picking out the contours of the mosaic. Lots to do.

Looking on the positive side, the wet weather brought up the colours of the mosaic very well.

Looking on the positive side, the wet weather brought up the colours of the mosaic very well.

The previous two days very wet. The once compliant soil turning to claggy mud and causing everything to get messy. Efforts to clean precious surfaces not rewarding. Morale low.

But today…life looked rosier but the loss of time has put the pressure on. The mosaic is virtually uncovered but there are questions to answer.

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Sir Ian’s concrete walls. What did they represent? They don’t appear to relate to anything and Steve the mosaic expert believed that there should be a different central design. We extended to find it but the mosaic is largely lost in the middle of the room.

A good sequence of events. On the left an early wall with a contemporary mortar floor. Both cut by the foundation trench for the limestone blocks for the colonnade wall. This was abutted by a curb that had the mosaic laid against it. The stone steps run over the curb and mosaic edge but they were probably rebuilt in the 1860s.

A good sequence of events. On the left an early wall with a contemporary mortar floor. Both cut by the foundation trench for the limestone blocks for the colonnade wall. This was abutted by a curb that had the mosaic laid against it. The stone steps run over the curb and mosaic edge but they were probably rebuilt in the 1860s.

Fay tested a Richmond wall line at the east edge of the site. Nothing but mortary backfill 0.3m down. Perhaps look a little deeper tomorrow. Carol and Harry tried the east junction of the water feature wall where it joined the corridor wall and that showed it butted the corridor… so was later.

Kate's trench to check the line of Richmond's early wall as it passed under the later bath house was filled with unexpected chunks of decoration.

Kate’s trench to check the line of Richmond’s early wall as it passed under the later bath house was filled with unexpected chunks of decoration.

Kate dug a trench where a wall should run under the later baths on the north side of the steps…and uncovered..wonderful things. Large blocks of painted plaster which could be seen to extend beyond the wall line and under the mosaic. It seems that just before the floor was laid, the plaster was thrown down as a hardcore. It looked like the painting on the plaster had been created yesterdaywith vivid colours, brush strokes and marking out lines for the stripes still visible.

Red and blue lines on cream. Part of a rubble base thrown down on which the mosaic was laid.

Red and blue lines on cream. Part of a rubble base thrown down on which the mosaic was laid.

With more rain promised for tomorrow, Bill brought the laser scanner today and as we were not ready.. he kindly used the time by carrying out a laser scan of the finest and most famous Chedworth mosaic. The one in the dining room of the West Range which shows the four seasons.

We worked, all of us, cleaning and uncovering..as the hours ticked away ..and then it was time and we watched as mysterious white orb stations were placed around the site and the scanner was set up. First creating a point cloud and then a mosaic of digital images. The two are combined to form a millimeter accurate image of the mosaic.

Though it is buried on Friday we will have an excellent record to inspire us as we seek the funding for the cover building which will enable the mosaic to be seen again.

Day Six Chedworth’s ‘Water Feature’

This work is part of a 5 year research plan supported by English Heritage to understand the North Range of Chedworth Roman Villa to enable the design and to raise money for a cover building. On Friday, we will rebury the site but we now know the potential for future conservation and display of the villa’s hidden gems.

Apart from the mosaic we also want to understand the features that James Farrer uncovered in 1864 (150 years ago 2014) and Sir Ian Richmond in 1963. We do not have photographs or drawings of their work.

Early morning 6th day after removing covers for photos. The islands between Sir Ian Richmonds wall trenches of 1963. We have lettered them in anti-clockwise order from bottom left 'a', bottom right 'b', 'top right 'c'. then 'd' in front of wooden steps and the 'water feature' is 'e' top left.

Early morning 6th day after removing covers for photos. The islands between Sir Ian Richmonds wall trenches of 1963. We have lettered them in anti-clockwise order from bottom left ‘a’, bottom right ‘b’, ‘top right ‘c’. then ‘d’ in front of wooden steps and the ‘water feature’ is ‘e’ top left.

We have uncovered area ‘e’ which is a walled enclosure which projects south into the inner courtyard of the villa.
It is thought to have been an ornate water feature of some kind but we do not know how deep it is or how it functioned. Richmond exposed the wall tops. Farrer dug it out and then it was backfilled with Roman spoil from the excavations. Every now and then a piece of Victorian pottery or a button betrays the fact that we are dealing with something 150 years old rather than 1600. Rob has found a clay lining and fragments of fallen pink mortar but he is about 0.6m deep and has not found the base yet.

We have put two small trenches into the water feature 'e'. Rob is taking out 19th century backfill. Most of it is Roman debris but from time to time we find Victorian china mixed in with it.

We have put two small trenches into the water feature ‘e’. Rob is taking out 19th century backfill. Most of it is Roman debris but from time to time we find Victorian china mixed in with it.

We need to discover details of Richmond’s early walls and I investigated the one that runs under the stone steps. A line of stones proved to be edging for the grand reception room mosaic that runs against its east side. Below Richmond’s concrete was clay mixed with 4th century pottery and this overlay a wall with a mortar floor against its west side at a lower level. I wonder whether the edging stones against the mosaic indicate that there was a door into the Reception Room here in the late 4th century.

This is Rob's trench against the water feature's south east corner. A view from the steps towards the villa courtyard. He is finding some large lumps of pink plaster which may once have lined the pool. We don't know how deep it is and what the floor is made of. In the foreground is my trench to understand one of Richmond's walls. Beneath the concrete was a line of stones. Jan cleaned the mosaic here. The stones were a kerb for the mosaic edge and had been built over 4th century backfill which covered the earlier wall. The kerb/curb may indicate a doorway into the reception room from the west between the steps and the colonnade marked out in stone slabs middle distance.

This is Rob’s trench against the water feature’s south east corner. A view from the steps towards the villa courtyard. He is finding some large lumps of pink plaster which may once have lined the pool. We don’t know how deep it is and what the floor is made of. In the foreground is my trench to understand one of Richmond’s walls. Beneath the concrete was a line of stones. Jan cleaned the mosaic here. The stones were a kerb for the mosaic edge and had been built over 4th century backfill which covered the earlier wall. The kerb/curb may indicate a doorway into the reception room from the west between the steps and the colonnade marked out in stone slabs middle distance.

We have almost completed the uncovering of mosaic islands ‘c’ and ‘d’ now. ‘c’ has some significant loss but ‘d’ is good. Across the wall cutting to the east area’a’ has also lost quite a large area. The decorated panels are varied and impressive. We still have area ‘b’ to uncover but things are progressing well… oh dear heavy rain on Monday we will need to make the most of today.

This is the mosaic towards the end of day 6 looking south-east from 'c'. Within the red and white stripes forming the edge design, the various types of decorative panels are emerging. In the foreground, Harry has uncovered a ring of diamonds forming a star-like panel.

This is the mosaic towards the end of day 6 looking south-east from ‘c’. Within the red and white stripes forming the edge design, the various types of decorative panels are emerging. In the foreground, Harry has uncovered a ring of diamonds forming a star-like panel.

Day 5 Joining the Islands. A Grand Reception

We had a lot of help today and so were able to make good progress and work together on the careful uncovering of the mosaics.

Looking  south-west from c towards d on the right and a on the left. All the islands of mosaics have gaps but what remains all link together into one 18m long and 6.75m wide mosaic.

Looking south-west from c towards d on the right and a on the left. All the islands of mosaics have gaps but what remains all link together into one 18m long and 6.75m wide mosaic.

We discovered today that the concrete walls we had removed had not defined four rooms each with different mosaics but had divided and cut through one large late Roman mosaic. A strange and destructive 1963 decision.

Looking north from d-c. The north-west corner of the reception room where there is a blocked door.

Looking north from d-c. The north-west corner of the reception room where there is a blocked door.

Professors Peter and Simon, Chedworth’s specialist advisers on Roman Britain, visited today and saw that our discovery had confirmed their hypothesis that this 18m long and 6.75m area was one large, grand reception room. Guests of the villa owner would have been brought first into this room and were wowed by the scale and opulence of the place. The owner was showing off his wealth and power. The intricate designs of he floor would have been matched by decorated plaster walls but only fragments of this design survive where bits of plaster fell to the floor. Most was taken away in 1864 by the Victorian excavators. We uncovered the north-east corner of the reception room mosaic last year and now we are looking at the opposite end of the room.

The views south from c -d towards the backfilled water feature e.

The views south from c -d towards the backfilled water feature e.

It has the same broad white band at the edge surrounding red and white stripes that in turn enclose a variety of geometric designs.

Last day for a few of us today. Many thanks particularly to Luke and Tom. The early days shifting concrete enabled the gentler pursuit of mosaic cleaning.

Last day for a few of us today. Many thanks particularly to Luke and Tom. The early days shifting concrete enabled the gentler pursuit of mosaic cleaning.

Day 4 Beneath Topsoil, Mosaic Islands

Things have become rather interesting at Chedworth (which is an understated archaeological way of saying..very exciting indeed).

Yesterday Terry visited the Villa and told us that he had assisted Professor Richmond 50 years ago. He had built the kerbs and laid the pink concrete. ‘We only dug where Sir Ian had marked out the walls’ he said, not the islands in between’

That explained it. We didn’t expect to find mosaics. None of the villa plans we had seen had marked any here and the mosaic survey of 2000 didn’t bother looking here, thinking that Sir Ian would have mentioned them… but he didn’t look between the walls.

Kate and Megan cleaning the topsoil off the southern room, perhaps a backfilled plunge pool. Beneath this there were lots of Victorian bits and pieces including an button fastener..and quite a few buttons.

Kate and Megan cleaning the topsoil off the southern room, perhaps a backfilled plunge pool. Beneath this there were lots of Victorian bits and pieces including an button fastener..and quite a few buttons.

Now that the concrete is up, there are five islands (we have lettered them a-e)and so far mosaics have been found on four. Very little survives in the southern room (e). It sticks out into the courtyard and has been described as a ‘tank’ with a drain coming out of it. It may be a plunge bath.. a small bit of mosaic was found by Luke at the threshold but the rest is backfill (Terry says not dug in 1963) and the finds in the top layer included items that may be of 1860s date. One small metal tool was found, possibly Roman but no, it was a Victorian button fastener. Over in the north-west corner of the site (island c) Carol found a very worn coin..Fay saw that it was a ‘bun’ halfpenny and Nancy spotted the date 1867 (3 years after the villa was excavated following discovery).

We've put green plastic where the Roman walls were meant to be to protect the surfaces while we work on the islands of Roman archaeology between. So far we have found areas of mosaic in four of the five islands. In the foreground (island c) Alice has almost taken off the last of the topsoil to reveal a landscape of mosaic fragments.  At the foot of the wooden steps (d) Carol has begun to clean back a much better preserved area,

We’ve put green plastic where the Roman walls were meant to be to protect the surfaces while we work on the islands of Roman archaeology between. So far we have found areas of mosaic in four of the five islands. In the foreground (island c) Alice has almost taken off the last of the topsoil to reveal a landscape of mosaic fragments. At the foot of the wooden steps (d) Carol has begun to clean back a much better preserved area,

Now that the concrete is gone… there is nothing for it but to put aside the mechanical breaker and pickaxe and gently tickle the topsoil with trowel, plastic spatula and fine brush.

In ‘c’, below topsoil are loads of mosaic cubes scattered across the area but against the wall a line of white tessera still in place and we hope for a pattern beneath the scattered tessera when we go deeper tomorrow. This area has the look of an area not excavated in 1864 but we will see.

We haven’t looked in ‘b’ yet but Fay and Jeremy found a red and white design in ‘a’.

But in ‘d’.. in ‘d’… at the foot of the wooden steps, beneath a scatter of gravel thrown down to limit erosion.. where many thousands of feet had crossed,less than an inch higher and oblivious of what lay beneath… a rather nice pattern is beginning to emerge.

Here is where we have got to so far, a red and white broad border with a finer blue frame around a woven style guilloche (I think that's the right spelling) mat. We found something like it in the West Range corridor in 2012.

Here is where we have got to so far, a red and white broad border with a finer blue frame around a woven style guilloche (I think that’s the right spelling) mat. We found something like it in the West Range corridor in 2012.

Day Three – technical frustrations, give me a trowel quick!

Well, once again internet technical frustration plague our best intentions!  its day four and I am still trying to let you all know what has happened  on site during day two and three! 

Day three turned up more mosaics and Mike cleaned the wall tops that we have in one part of the site and a great job he did.

small section of mosaic apearing

small section of mosaic appearing

 

Mike in red surveying his handy work

Mike in red surveying his handy work