Day 12 – Rogues gallery

Here as promised are the ‘small finds’ we have found over the last few days ūüôā

 

A coin, worn but enough remains for a coin expert to identify

The reverse of the coin with a bit more detail.

Another coin, very clear, you can read the lettering. Probably IMP TETRICUS PF AVG, so probably Tetricus I rather than Tetricus II, who ruled the separatist Gallic empire from AD271-274 Thanks Pete for the identification

The reverse of the Tetricus coin

And the next coin, very worn on the obverse,

The reverse has a little bit of detail, hopefully enough for an identification

The last of the coins and this one is worn and probably beyond identification

Not a coin but a lovely piece of roman glass, part of the rim of a bowl maybe.

Last but not least is a hob nail, from a roman shoe, it was found between tow loose tesserae in the corridor mosaic. Avery fine example of its type!

 

Space ….

The morning was sunny and frosty, the Black Redstart on his winter migration had appeared in the garden and as I drove to work, large flocks of Woodpigeon flew up from the fields with small groups of winter thrushes, as a Red Kite slowly glided across the valley.
I was on my way to continue setting up my new work space at Dinton, ten minutes further towards Salisbury from the office. I have new tables, heaters and shelving to unpack The boxes of finds needing cleaning, sorting, marking, recording and packing were already there waiting to be opened. I met Rosemary and we headed into the big space with mugs of tea and a mallet! There was shelving to put together as well as the boxes and equipment to sort out.

Lets get it sorted ready to clean the Roman painted plaster

We were getting on great, the heaters seemed to warm the space efficiently, the shelving was going together well with the help of the mallet, when bang my archaeologists back decided it was time to make itself known! Rosemary carried on and finished the shelving, then we had to abandon the day. I always think that an archaeologist just starting out would be a great long term study for a medical student to monitor the wear and tear on the joints!

Mushroom boxes, the ideal finds washing drying racks

So, dear readers, you will have to wait a little longer to see if we find any different designs on the Chedworth roman painted plaster.

Day 14 – Wash and brush up

After a couple of days off I headed back to Chedworth very early. Through the misty vales of Dorset, then into Wiltshire with its hay bale monoliths, finally reaching the honey stone of the Cotswolds in record time, as all were still in their beds on this cool Sunday morn.

Blue sky and bright sun

As it was very dry we worked on cleaning and brushing up room 28, we also started to give it a hairy root trim ready for the laser scan on Wednesday.

A gentle trowel and brush up

We finally finished taking the Victorian back-fill from on top of the hearths.

The largest hearth cleaned up at last

The day was hot and dry so we could use brushes on the stony surfaces, but it took its toll on the workers, who packed up quickly at each break to get into the shade and get some fluids.

Charlotte and Amy resting aching backs in the shade

Charlotte finished working with us today and she gave me some wonderful flowers ūüôā thank you Charlotte you were ace x

Sunflowers on a sunny day

 

UPDATE РAs I driving I was thinking about the finds from the previous days, I was eager to see the glass Pete had found. I was pondering the pin Andy found, it was an itch I needed to scratch, there was something not right about it, could it have been lost by a historical re-enactor!
They had used room 28¬†in the past for living history displays. When I reached the villa there was a living history tent, a roman trader, very fortuitous. Steve makes metal pins and had a look as he thought it could have been one he made! it wasn’t but he pointed to evidence that may show that my hunch could be right. He knew the groups who had been at the villa many years ago and is going to ask if they ever lost a pin, he had a vague memory someone had mentioned a lost hair pin. Watch this space, we may find we can reunite the pin with its owner if it turns out to be a lost living history pin!

Day 3 – glass half full ….

Today was a mixture of Romans and Victorians, the original residents and the original excavators.

All ready for the final clean, kneelers for the knees and kneelers for the feet so your toes don’t dig into the mosaic

We carried on revealing the mosaic in room 28, one strip at a time. Today started with a final clean off and then a good sponge to reveal the pattern, then towelling the next strip heading further into the centre of the room.

Angela, Carol and Sue very happy mosaic excavators

When we heard a loud¬†‘Wow!’ from Samuel we could not resist sharing our joy of digging the mosaic with him and his sister Anna¬†hopefully helping nurture the archaeologists of the future!

Anna and Samuel doing a brilliant job  excavating the mosaic

Two happy diggers

In the opposite side of room 28 Rob had a trench all to himself, his task was to take off the soil and rubble hopefully to find intact mosaic. Amongst the loose tesserae, nails, painted plaster and mouse bones he found a glass object. Great excitement as we clean down and around it, was it roman? Looked a bit chunky for a roman glass vessel which are usually very thin.

The glass turned out to be part of a Victorian panel wine glass, perhaps dropped by a visitor staying at the  lodge or a garden party as Lord Eldon showed off the excavations to his friends. I wonder what it had contained?

The glass before we lifted it from its bed of soil

At the end of the day the mosaics¬†had continued but there were¬†more holes in the floor, will we get the next decorative scheme? what is beyond the knotted guilloche band? we hold our breath……..

The mosaic at the end of the day all clean and bright

The Dunster Castle Mosaics

Dunster Castle in west Somerset, is one of three Wessex Norman motte and bailey castles now owned by the National Trust. Their 11th century designers all used natural hills. Each was a strategic location but history changed them.. only Dunster has remained a residence through 1000 years.. a grand mansion house, impressive in scale and outline, high above the road into Exmoor.

1754 painting2

1754 painting of Dunster’s dramatic setting on display in the Castle

In south Somerset, Montacute Castle, on St Michael’s Hill , is now only visible as earthworks under trees. It ended its military life in the 12th century when the land was given to Montacute Priory.

Corfe Castle thrived as a royal castle, particularly in the 13th century, but had become old fashioned by Tudor times. Elizabeth I sold Corfe and it became a rich family’s trophy house.. They backed the King (the losing side) and so in 1646 it was made uninhabitable. Now it’s a craggy ruin.

Dunster is different.. It survived the turbulent years of the English Civil War. It progressed.. and was developed during the 18th and 19th centuries.. complete with stables, outbuildings designed parkland, gardens and summerhouses.

And so it was… that last August I took the long and winding road from Taunton to Minehead in search of a Dunster mosaic.

Don’t get me wrong… these are pebble mosaics not Roman ones .. but they are intricate designs, hidden and poorly understood.

The thing about Dunster Tor is that it’s got unstable slopes. The paths and access road, spiraling up the steep hill to the Castle’s front door, keep slipping away.

I arrived at the right time, morning tea-break in the bothy, and then Robin the Head Gardener guided me up the hill with drawing board, camera, notebook and measuring tapes.

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Starting to clear the overgown path below the Castle. 

A busy summer day, many visitors enjoying the sunshine but I was shown down a lost path. Closed because of health and safety. It doesn’t go anywhere now. After about 30m, it stops abruptly at a steep slope, where the old route has tumbled down the hill.

Robin found the spot and pulled some creeper plants which had grown across the abandoned path. There, was a pattern of pebbles set in a hard white mortar.

He wished me well and left me to it ..and that was my home for the day.. shaded by the bushes and tall plants and all around me the voices of happy holiday people walking along other paths. Nearby but out of sight.

The path had been cut into the hillside. On the uphill side, I pulled back the greenery and found the red sandstone blocks of the revetment wall. Where the path met the wall there was a heap of soil and roots. I moved the vegetation… and just above the mosaic surface were fragments of plaster and pieces of brick and slate.

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The pebble mosaic running under the revetment wall.

There were also two blocks of stone joined together and forming an 120 degree angle as though they once formed the corner of a polygonal building. The revetment wall had been built above this corner and the mosaic ran up to it….The archaeological sequence .. first the stone corner, then the pebble floor built against it and then, at a later date, the revetment wall for the path built above them.

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Now it was time to clean back from the wall and reveal the pattern of the white pebbles. It was edged with a curving fan of long, pitched, red-brown stones. Then there were zig-zag patterns of long grey stones among the white pebbles. In the centre of each zig and zag, was a rosette of long stones with a pebble in the middle. Beyond that and further downslope there were interlocking arcs of grey stones dividing up the white pebbles…but then I ran out of path.

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The stone rosettes 

Slabs of the mosaic had  fractured and tipped down slope and then had been covered and resurfaced in the 1970s to repair the path and make it horizontal again.

Really good mortar… it held the pebbles fast as the floor cracked and slipped away down the hill.

By the end of the day I’d uncovered about half the surviving semi-circular design. Originally, it must have been about 5m in diameter but ….how old was it and what period in the Castle’s long history did it belong to?

I’ve been writing up the report and the answers are not easy to find.. definitely 18th or 19th century but surely we can do better than that.

There are two known Dunster mosaics. The other one, on the north side of the castle, was built against the 15th century gatehouse. This floor design is a series of concentric pebble petals and was carefully uncovered and drawn in the 1990s. Robert the excavator concluded that the mortar used in the floor was a kind of ‘Roman’ cement and was therefore at least earlier 19th century in date.

The one I had revealed was on the south side of the Castle and although it had a different design, the mortar and types of stone were similar. There is no reason to doubt that they are contemporary and part of the same period of garden design.

Dunster Castle has such a dramatic scenic profile: it has been drawn, painted and mapped many times since the early 18th century.

Changes usually take place when there is money and the Luttrell family (the owner occupiers of Dunster from the 1404-1976) didn’t always have large amounts of spare money.

In the early 18th century, Dorothy Luttrell had cash to spend and used it to redesign the gardens. A drawing of Dunster in 1735 shows a white building in the area where I drew the mosaic. There is a painting dated 1754 which also shows the building. Is this the building which covered the mosaic. There’s no similar structure for the north pebble floor and the the type of mortar doesn’t work for such an early date. ‘Roman cement’ was invented by James Parker in 1798 and is unlikely to have been used at Dunster until the early 19th century.

18th century

The early 18th century painting at Dunster showing a little white building on the left side of the Castle in the area of the pebble floor.

Henry Fownes Luttrell 1747-1780 had money and lived at Dunster much of the time as did his son John 1780-1816 but the next owners lived mainly in London and the Castle went into decline.  Then, in 1867, George Luttrell inherited and took the place in hand. He commissioned fashionable architect, Anthony Salvin, to design a gothic revamp for the place.

The surviving later 19th century photos maps and plans give no hint that the mosaics were created at this time.

However, they may have been designed and seen for just a few years and any covering pavilion or summer house building may have been a light timber framed structure quickly removed.

My best bet… given the type of mortar …and the occupation history of the Luttrell family, is that the floors were commissioned by John Luttrell before 1816… can’t prove it though.

Unfortunately William Turner’s painting of 1811 shows nothing and neither does the tithe map of 1840. But they were ¬†not created to show garden detail….

1840 Dunster

Dunster’s Tithe Map 1840

so I must hope for a future researcher who one day.. at Taunton.. at a table in the Somerset County Record Office…working through deep pile of papers in the Dunster Archive, will suddenly alight on the conclusive document ….I hope he or she spots it.

 

It’s all in the name..

Close up detail of plaster work around the top of the ceiling above the marble staircase

Once again I headed for Kingston Lacy with a mission to check under the floorboards in the house. A condition survey was being carried out by Clivedon Conservation on the plaster ceiling above the marble staircase.

Douglas and Tina (National Trust paintings conservator) surveying the painted plaster ceiling

It was while looking under the floor in the third Tented Room above the ceiling that Douglas from Clivedon Conservation spotted some writing on one of the joists of the superstructure, but he had not had time follow it up further.

“James” written in pencil on the wooden joist

So as well as looking between the joists for objects lost down the cracks between the boards or hidden on purpose, I had a look at the faces of the joists to see if I could find more writing. It was difficult to get the right lighting and angle to make out the words, especially as not all the boards had been lifted. But with the help of torches and various settings on my camera I could make out one full name, a part name and a date!

The surname “Game” to go with the first name James

The complete name was James Game, followed by the name Isaac and something illegible, presumably a surname, and then the date November 25th 1837. William John Bankes commissioned Charles Barry in 1835 to remodel Kingston Hall. This work was completed circa 1841, so the 1837 date fits with work being carried out in the house.

November 25th 1837

With access to the 1840 census I thought I would look up James Game to see if I could find him in the area or on the estate. It was exciting to find someone of this name living at Hillbutts, a small group of dwellings beside the boundary of the parkland around Kingston Lacy house. But best of all, his occupation was listed as a joiner!

I think the second name of Isaac¬†starts with an N? All ideas and suggestions welcome, then we’ll see if we can find Isaac on the census as well!

I think the surname of Isaac starts with an N, or perhaps M

The name Isaac written in pencil

 

All I want for Christmas……

It’s always exciting when¬†I am handed bags of finds from work done by archaeological contractors in and on our properties.

Box of delights

Box of delights

This week it was a few objects found by Ian, while doing a building survey, they were under the bedroom floor of a farmhouse in North Somerset. The main part of the house dates to the 18th century but it looks like it could go back  to the 16th or 17th centuries and was at times the home farm for a bigger estate.

I took out the bags and noticed it said wooden animal on all of them, so not the usual nails, fragments of wall paper, cigarette packets or chewed up paper from rat nests!

I took them out one by one, they were a bit nibbled but still recognizable as animals. But apart from the piggy they did not look like ordinary farm animals.

The wooden animals a pig, a Deer/Lama and a Sheep/?

The wooden animals a pig,  a Deer/Lama/?  and a long  legged Bear/?

I wondered if they could be from a¬†set of Noah’s Ark animals, I remembered seeing one at one of our properties, so I searched our collections database and found¬†quite a few images of very similar animals to the ones Ian found.

Wooden animal from the collection at Erddig, Wrexham

Wooden animal from the collection at Erddig, Wrexham

Wooden animals for Noah's Ark, from Felbrigg, Norfolk

Wooden animals for Noah’s Ark, from Felbrigg, Norfolk

Our animals have the remnants of paint on them so would probably have looked a little bit like the set below.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Close-up of the Pig showing evidence of paint

Close-up of the Pig showing evidence of paint

Close-up of the possible Bears head

Close-up of the possible Bears head

Probably more like this set from  Snowshill Manor

Close view of the wooden Noah's Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

Close view of the wooden Noah’s Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

So the¬†rest of ¬†the title would be¬†….. the rest of the Noah’s Ark animals, oh!¬†and an Ark to put them in.