Stourhead and Sir Richard’s Archaeologists

 

Before I go any further, I wanted to check whether you know who Sir Richard Colt Hoare was? Here’s a couple of clues via famous quotes.

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‘We speak from Facts not Theory’ at the start and end of his great book

and concerning Stonehenge…

‘How Grand, How Wonderful, How Incomprehensible’…no change there then.

Between 1810 and 1821 Sir Richard wrote and published ‘Ancient Wiltshire’, the first detailed survey and description of the county’s archaeology. This is an internationally important publication because it forms a key stepping stone in the development of archaeology as a science.

Some time ago I was asked to give a talk on Sir Richard. The talk was to be part of a conference …organised by the Cranborne Chase Area of Outstanding Natural Beauty team.

Sir Richard owned Stourhead between 1785-1838 and in 1944, the Hoare family kindly gave his home to the National Trust.

Exciting! As the National Trust’s archaeologist responsible for Stourhead, I seemed the obvious choice to give the talk. There was a problem however… just a small one. I’d never taken the time to find out much about him.

One of those things which could be dealt with in due course.

But as May approached and the allotted Saturday loomed…correcting my ignorance became urgent. Time to walk into the Tisbury NT library to see what books had drifted onto the shelves over the decades.

One was a half finished manuscript about Sir Richard’s life and another was a transcript of his Stourhead Annals….

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The white seated statue of Sir Richard in the library he built at Stourhead.

Sir Richard Colt Hoare always wanted to grasp and record time and when his grandfather gave him Stourhead he realised that he did not have a record of the history of its development…so he started a book he named ‘The Annals’, making sure that any changes to the Estate were recorded each year. Writing in 1792, he appealed to future owners to maintain his Stourhead record. On the front cover he wrote.. I have begun this record and those who follow ‘do thou likewise!’.

The next thing in my education was to drive up the road from Warminster to Heytesbury.

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Where William Cunnington planned his excavations with his digging team John and Stephen Parker.

Here….once lived a wool merchant named William Cunnington. Sir Richard wrote that William’s doctor was concerned for his health and advised him to ride out into the landscape and breath in the Wiltshire air.

And so he did. William decided to study and excavate the strange ancient humps and bumps that covered the chalk downs surrounding the village.

I drove to Heytesbury’s Angel pub. This was where William met his digging team John and Samuel Parker and together they planned their investigations. Between 1798 and 1810, they dug well over 300 burial mounds together.

I then looked for his house beside Heytesbury Park. He met Laetitia, the lady of the manor , who introduced him to her brother Henry Wyndham of Salisbury who agreed to fund his researches. William and Laetitia’s monuments are in Heytesbury church.

His next sponsor was Rev Cox, who was rector of Stourton church and through him, in 1801, he met Sir Richard Colt Hoare. They were a similar age, Richard 4 years younger, and they got on well. Soon they were working together to try to understand the ancient evidence of past lives visible within the countryside that surrounded them.

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Stourton Church and Sir Richard’s memorial (left) and in the distance the Stourhead lake and Pantheon in the background.

I drove to Stourton Church and found Sir Richard’s mausoleum in the churchyard overlooking Stourhead’s internationally famous landscape garden.

Time to walk to Stourhead House where I had an appointment with ‘Ancient Wiltshire’. The reception hall is overlooked by a large portrait of Sir Richard with his young son Henry. The artist, Samuel Woodforde, thought that he seemed shy on first meeting but was considerate and loyal to his friends and acquaintances.

Down a corridor to Sir Richard’s library…little changed since he worked there, writing about his archaeological research… and I was shown into a side room with a view to the obelisk and park.

The first volume, South Wiltshire was kindly brought to me and opened.

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‘Ancient Wiltshire’ was begun in 1810 but this was too late for his friend William Cunnington who had died a few months earlier. Richard laments the loss of his friend and fellow time traveller. The introduction and the conclusion to volume two ‘North Wiltshire’, written in 1821, states clearly these volumes would never have been possible without William’s inspiration. It is his friend’s portrait on volume I and his own on volume II.

William Cunnington

As I turned the pages in that little room…written just a few feet from where I stood…it was the illustrations that particularly amazed me. At the bottom left of each .. was the name P. Crocker.

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Crocker’s plan of the Oakley Down barrow group. Number 9 is where they sheltered from the storm (read on)

He was the other key individual in the archaeology team. Philip learnt his mapping skills from the newly formed Ordnance Survey. Was it William or Richard who first engaged  him to make plans of the archaeological sites they were discovering?

Philip mapped and numbered groups of burial mounds and marked the routes of Roman Roads. His art included landscapes paintings, reconstruction drawings of monuments, most notably his drawings of Stonehenge and Avebury, and he also drew the artefacts discovered during the barrow excavations.

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One of Philip Crocker’s drawings of finds from a barrow part of the Winterbourne Stoke group near Stonehenge

Bottom right of each drawing is the name J. Basire. James engraved each of Crocker’s illustrations to enable them to be printed using the newly invented lithographic process.

‘Ancient Wiltshire’ grapples with the problem of understanding the chronology of British prehistory at a time when there were no dating techniques. William and Richard noted the way roads and earthworks altered their course or cut or avoided one another demonstrating a sequence of events. They noted different types of finds and that burials with iron were always found above burials with bronze.. though they did not coin the terms Iron Age and Bronze Age. The Danish archaeologist Thomsen did that in 1836.

There are discovery stories in ‘Ancient Wiltshire’. Colt Hoare aimed for scientific enquiry though this was the time of gothic romance. The excavation of the Bush Barrow in 1808 within the Normanton Group of barrows south of Stonehenge is of particular significance. Here, Cunnington and the Parkers recorded the golden, bronze and stone grave goods surrounding the burial of an important man but it is the account of another excavation which captures the mood of the time.

This excavation was just across the border in Dorset. Here, a large barrow group was drawn by Crocker cut across by the later Ackling Dyke Roman Road. Digging into the large mound ‘9’ (see illustration above) they found a burial near the surface but below this a heap of flints. Sir Richard rightly surmised that the primary inhumation lay deeper. They began to shift the rocks and a thunderstorm broke out across the exposed downland. Swept with intense rain, the team clustered for shelter in the burial pit leaving their iron tools on the mound summit above them. A clap of thunder and the tools drew a direct hit by a lightning bolt that sent a landslide of debris down upon them forcing them out into the storm. One of Sir Richard’s companions Rev William Bowles was so moved by the experience that he wrote a poem which is included in the book. It captures the romance of the time reminiscent of contemporary novels such as Jane Austen’s Northanger Abbey.

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Crocker’s painting of Cunnington and Colt Hoare watching the Parkers? digging.

I closed the second book and walked out into the park and then back into the undecroft below Colt Hoare’s picture gallery on the north end of the house. It is empty now but was once the exhibition space for the finds from the excavations. The books and archive were sold in 1883 when the family was strapped for cash. Fortunately, Devizes Museum stepped in and saved Cunnington and Colt Hoare’s collection and you should go there to see what they discovered.

After ‘Ancient Wiltshire’ Sir Richard began ‘Modern Wiltshire’ he knew that he did not have enough time left to finish it and so relied on friends and colleagues to achieve that.

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The coins struck with Richard Colt Hoare’s initials on, placed in excavations before backfilling to show to future diggers that he had been there and the canvas back he carried them in.

I’ll finish by turning back to Sir Richard’s ‘Annals. There are fewer entries during the 1830s and in 1838 ‘at a quarter past six of the morning on the 19th of May at Stourhead died Sir Richard Colt Hoare’

His loyalty to his team is perhaps reflected in an entry two years later…On the 24th April died Mr Philip Crocker, for 30 years Land Steward for the property.

I had enough information for the talk but so much more to discover.

 

 

 

The Lost Villa of Bath Skyline

Last week we tested the evidence for a lost Roman villa.

It lies in a hidden, rarely visited field… full of earthworks and stones poking through the grass.

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Starting the excavation: we resurveyed the site with a resistivity meter (bottom left). Cutting the turf  at the lower end  (right) where a corridor? (continuing beyond the two groups of figures on the left side of the tree) gave access to rooms. Terraces at the upper end (left), a series of rooms beside the corridor?

On Monday, with the Volkswagon Golf bulging with tools, the farmer directed me across the farm.. through rough terrain and rutted gateways.

I needed to avoid the more direct route because it was full of new lambs with their mums.

Rob shook his head. ‘Are you sure you want to risk your car out there….We could transfer the equipment into a 4×4’.

‘No, that’s fine’ I said confidently ‘Coaxing inappropriate cars through rough terrain has become a mission. I once got a Vauxhall Nova up Golden Cap… well almost’.

Dodgy gates and a moonscape of deep ruts but the weather has been very dry so nothing untoward occurred during my outbound journey ..and I entered the field which was full of  wonderfully intriguing humps and bumps.

So this was exciting.

Full of archaeological potential.

Stones and walls jutted from terraces and banks. We were on the edge of the Roman city of Bath and this place had a fabulous view out over the Bathampton valley. A spring gurgled in a cutting a few metres downslope. This had every chance of  becoming a previously unrecognised Roman villa.

A home for one of the wealthy people associated with the sacred temple complex surrounding Bath’s magical hot springs.

The NT Bath Skyline team had set up their shepherd’s hut tea room with all the facilities. Luxury. Staff and volunteers were ready to become archaeologists. We all were.

The evidence for the villa seemed good, perhaps too good. Where were the shaped blocks of stone reused in the boundary walls….There were reports of Roman pottery in neighbouring fields but nothing of that date from this particular field. But it was all grass and without mole hills..how would it make itself known.

I introduced the site. Inspired by what we might find. Stories of collapsed walls, partly robbed in medieval times before the site was forgotten. Under this a fallen roof..a sea of tiles (limestone or clay). Then below this mortar and a layer of highly decorated painted plaster (which must be very carefully planned and lifted). Now perhaps we would find small rodent bones (owl pellets dropped when the grand villa had been abandoned, the birds flying in at night through broken windows to roost in the decaying rafters. Below this, of course, a splendid mosaic or mosaics. One must hope that they had not collapsed into the under floor heating system…classical scenes finely worked in cubes of stone and tile.

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Cleaning back the site following the removal of turf defining the corridor? and room? levels.

A trench was marked out to cross what appeared to be a corridor and a large room. The turf was peeled back. The team formed a line and we trowelled and uncovered the stonework.

At this point we expected fragments of baked clay, much mortar and blocks of cut stone, a scatter of oyster shell and animal bone and lots of Roman pottery….

We found a couple of pieces of 19th century glass and a nail.

The stonework was a heap of  unworked chunks of local limestone piled up to form a terrace.

Most disappointing.

The next day, I walked back towards the field edge to check out the fragments of wall we could just see sticking out of the grass. These were proper two sided stone walls.

Dave cut a trench across one section and I hacked into a hawthorn bush and made a space to investigate the footings of another wall heading under the 18th century field boundary wall,

Dave found .22  cartridge cases and  I found fragments of a white ware jar. The 1902 OS map showed a Boer War army camp in the next door field. Perhaps they’d chucked their rubbish over the wall (just like the army tipped their broken crockery over Durrington Walls during WWI).

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The mortared stone walls of the building looking back towards our first trench, the trees marking the corridor that turned into a trackway and in the middle distance the rooms that turned into stone faced field lynchets for small ‘celtic’ prehistoric? fields. Top left of the wall in the foreground is a massive stone that formed the door jamb. This was cut into to fit the timber door frame and a level horizontal area had a hole drilled for the door pivot. The wall continues to the right and the width of one of the rooms of the building is seen as it turns (top right) to run parallel with the wall in the foreground.

All still modern and not a fragment of anything Roman in sight, we strung out tapes from both walls and where they coincided we opened another trench to find the corner of the building.

The big trench was abandoned. Carol had found a bone fragment and a tiny piece of Roman grey ware (“that’s not really enough is it”). We concluded that our earthworks were part of a prehistoric field system, terraces levelled into a slope and faced with limestone rubble with a track defining their lower edge.

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Looking back towards the walls in the last photo. Top left of this trench had a flagstone in place, the key and the pitchfork were found here.

The team on the new trench found a flagstone on a mortar surface, a square section nail, an impressive looking pitchfork and a door key. The surface modern pottery gave way to fragments of tobacco pipe. In Dave and Fay’s trench we found a doorway with a pivot hole in it.

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The pitchfork and square sectioned hand made nail from trench C,

The maps show nothing here in the last 150 years. There are less detailed 18th century maps which also show a blank.

This field was enclosed from the Bishop of Bath’s deer park, in use from the 12th century. It does not seem to have been ploughed since then..but these mortared stone walls and finds are not as old as that… A cottage and/or outhouse in use from late 17th to early 19th century? We need to look at the tithe map and do some more documentary research.

In the end, as we all worked together to backfill the trenches and replace the turf…we agreed that…although we lost our dream of rediscovering a lost Roman villa, it had been good to work there together…

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amongst the sparking leaves and flowers in the cool April sunshine.

 

It’s all in a name .. UPDATE

With some fresh eyes and a consensus of Mitchell 🙂 I found an Isaac Mitchell on the 1841 and subsequent censuses in Shapwick (good work Carol you spotted him as well )

Isaac (54 years old) is listed as a carpenter on all the census I looked at and on the 1851 one, which was clearer to read, he is married to a lady called Love (52 years old) and his son Dennis (23 years old) is also listed as a carpenter. It is interesting to see his mother-in-law,  called Hester Jefferies,  also lived with them  and is an amazing 95 years old!

The Dunster Castle Mosaics

Dunster Castle in west Somerset, is one of three Wessex Norman motte and bailey castles now owned by the National Trust. Their 11th century designers all used natural hills. Each was a strategic location but history changed them.. only Dunster has remained a residence through 1000 years.. a grand mansion house, impressive in scale and outline, high above the road into Exmoor.

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1754 painting of Dunster’s dramatic setting on display in the Castle

In south Somerset, Montacute Castle, on St Michael’s Hill , is now only visible as earthworks under trees. It ended its military life in the 12th century when the land was given to Montacute Priory.

Corfe Castle thrived as a royal castle, particularly in the 13th century, but had become old fashioned by Tudor times. Elizabeth I sold Corfe and it became a rich family’s trophy house.. They backed the King (the losing side) and so in 1646 it was made uninhabitable. Now it’s a craggy ruin.

Dunster is different.. It survived the turbulent years of the English Civil War. It progressed.. and was developed during the 18th and 19th centuries.. complete with stables, outbuildings designed parkland, gardens and summerhouses.

And so it was… that last August I took the long and winding road from Taunton to Minehead in search of a Dunster mosaic.

Don’t get me wrong… these are pebble mosaics not Roman ones .. but they are intricate designs, hidden and poorly understood.

The thing about Dunster Tor is that it’s got unstable slopes. The paths and access road, spiraling up the steep hill to the Castle’s front door, keep slipping away.

I arrived at the right time, morning tea-break in the bothy, and then Robin the Head Gardener guided me up the hill with drawing board, camera, notebook and measuring tapes.

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Starting to clear the overgown path below the Castle. 

A busy summer day, many visitors enjoying the sunshine but I was shown down a lost path. Closed because of health and safety. It doesn’t go anywhere now. After about 30m, it stops abruptly at a steep slope, where the old route has tumbled down the hill.

Robin found the spot and pulled some creeper plants which had grown across the abandoned path. There, was a pattern of pebbles set in a hard white mortar.

He wished me well and left me to it ..and that was my home for the day.. shaded by the bushes and tall plants and all around me the voices of happy holiday people walking along other paths. Nearby but out of sight.

The path had been cut into the hillside. On the uphill side, I pulled back the greenery and found the red sandstone blocks of the revetment wall. Where the path met the wall there was a heap of soil and roots. I moved the vegetation… and just above the mosaic surface were fragments of plaster and pieces of brick and slate.

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The pebble mosaic running under the revetment wall.

There were also two blocks of stone joined together and forming an 120 degree angle as though they once formed the corner of a polygonal building. The revetment wall had been built above this corner and the mosaic ran up to it….The archaeological sequence .. first the stone corner, then the pebble floor built against it and then, at a later date, the revetment wall for the path built above them.

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Now it was time to clean back from the wall and reveal the pattern of the white pebbles. It was edged with a curving fan of long, pitched, red-brown stones. Then there were zig-zag patterns of long grey stones among the white pebbles. In the centre of each zig and zag, was a rosette of long stones with a pebble in the middle. Beyond that and further downslope there were interlocking arcs of grey stones dividing up the white pebbles…but then I ran out of path.

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The stone rosettes 

Slabs of the mosaic had  fractured and tipped down slope and then had been covered and resurfaced in the 1970s to repair the path and make it horizontal again.

Really good mortar… it held the pebbles fast as the floor cracked and slipped away down the hill.

By the end of the day I’d uncovered about half the surviving semi-circular design. Originally, it must have been about 5m in diameter but ….how old was it and what period in the Castle’s long history did it belong to?

I’ve been writing up the report and the answers are not easy to find.. definitely 18th or 19th century but surely we can do better than that.

There are two known Dunster mosaics. The other one, on the north side of the castle, was built against the 15th century gatehouse. This floor design is a series of concentric pebble petals and was carefully uncovered and drawn in the 1990s. Robert the excavator concluded that the mortar used in the floor was a kind of ‘Roman’ cement and was therefore at least earlier 19th century in date.

The one I had revealed was on the south side of the Castle and although it had a different design, the mortar and types of stone were similar. There is no reason to doubt that they are contemporary and part of the same period of garden design.

Dunster Castle has such a dramatic scenic profile: it has been drawn, painted and mapped many times since the early 18th century.

Changes usually take place when there is money and the Luttrell family (the owner occupiers of Dunster from the 1404-1976) didn’t always have large amounts of spare money.

In the early 18th century, Dorothy Luttrell had cash to spend and used it to redesign the gardens. A drawing of Dunster in 1735 shows a white building in the area where I drew the mosaic. There is a painting dated 1754 which also shows the building. Is this the building which covered the mosaic. There’s no similar structure for the north pebble floor and the the type of mortar doesn’t work for such an early date. ‘Roman cement’ was invented by James Parker in 1798 and is unlikely to have been used at Dunster until the early 19th century.

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The early 18th century painting at Dunster showing a little white building on the left side of the Castle in the area of the pebble floor.

Henry Fownes Luttrell 1747-1780 had money and lived at Dunster much of the time as did his son John 1780-1816 but the next owners lived mainly in London and the Castle went into decline.  Then, in 1867, George Luttrell inherited and took the place in hand. He commissioned fashionable architect, Anthony Salvin, to design a gothic revamp for the place.

The surviving later 19th century photos maps and plans give no hint that the mosaics were created at this time.

However, they may have been designed and seen for just a few years and any covering pavilion or summer house building may have been a light timber framed structure quickly removed.

My best bet… given the type of mortar …and the occupation history of the Luttrell family, is that the floors were commissioned by John Luttrell before 1816… can’t prove it though.

Unfortunately William Turner’s painting of 1811 shows nothing and neither does the tithe map of 1840. But they were  not created to show garden detail….

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Dunster’s Tithe Map 1840

so I must hope for a future researcher who one day.. at Taunton.. at a table in the Somerset County Record Office…working through deep pile of papers in the Dunster Archive, will suddenly alight on the conclusive document ….I hope he or she spots it.

 

Purbeck: Treswell’s Palimpsest

February: last week, meetings with Historic England. 5 hillforts in 2 days.

We were puffed out. It’s a long slog up the path to the ramparts of Hambledon Hill.

We paused near to top…just beyond the gate, and looked down on the Dorset countryside.

I turned to our Clive…

‘How did the conference go ?’

‘Good. I discovered a new archaeological term…now what was it?’

‘We tried to guess’   stratigraphic relationship? Harris matrix? Deverel Rimbury Culture?

‘Ah yes! Palimpsest!

High above Child Okeford, we gazed north beyond the chalkland into the Blackmoor Vale. Our eyes drifted across the sunlit network of field systems, farmsteads and trackways, disappearing into a late winter haze.

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The view from Hambledon Hill north into the Blackmore Vale

The archaeological metaphor. The palimpsest of the historic landscape. We nicked the term (archaeologists are scavengers). Wipe a slate clean but earlier messages can never be quite erased..look carefully…they can still be read.

Rip out a hedge, plough two fields as one, but the boundary will still be visible as a dark line.

Abandon a farm, pull down the buildings and walk away… but thousands of years later, scatters of finds will be evidence. Silent witnesses of past lives.

Wouldn’t it be good to go back and take a video or at least a snap shot.

Well, there are old maps at least.

Detailed Ordnance Survey will take you back to the 1880s. Then most areas are covered by the parish Tithe Maps of the 1840s.

If you are lucky..wealthy landowners commissioned surveyors to map their land..often in the 18th century.

Before that there are written documents but no visual links…but in Purbeck there is Ralph Treswell’s survey.

He was an artist cartographer commissioned by Elizabeth I’s favourite Sir Christopher Hatton.

Hatton’s family were from Northamptonshire, but after Elizabeth sold him Corfe Castle in 1572, he decided to carve out a Purbeck empire. He bought various blocks of land across this chunk of south-east Dorset and then decided to have them surveyed (this is the core of the National Trust’s Purbeck Estate).

The result is the Treswell Survey which took my breath away when I first saw it in the Dorset History Centre. It had survived the English Civil War and the plunder of Corfe Castle and been kept by the Bankes family in a cupboard at Kingston Lacy until the 1980s.

The maps are beautiful and detailed. Colour drawings of Tudor life and land tenure with the names of tenants and their land holdings across the Corfe Castle Estate in 1585-1586.

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Middlebere Heath 1586 with Ralph Treswell’s drawing of a Tudor furzecutter with red deer (no longer found in Purbeck)

Gold cannons line the upper terrace at Corfe Castle. Deer prance across Middlebere Heath. Working men stand with their furze cutting tools and rabbits emerge from burrows. High on the Purbeck hills above Langton is a timber beacon tower with ladder to the fire pot ready to warn against Spanish invasion. In the vale to the south, Langton West Wood follows the same contours as today, shrouding the worked out Roman and medieval Purbeck marble quarries.

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The signal beacon drawn on the chalk ridge crest above West Wood (bottom right) which was planted on worked out medieval Purbeck limestone quarries.

Farms and villages occupy the same locations as farms and villages today. The long boundaries across the limestone plateau mark medieval manorial divisions …Worth from Eastington from Acton from Langton..the boundaries survive today and can be traced back to Domesday of 1086 and beyond.

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The long boundaries of stone walls (still in the landscape today) divide the Domesday manors and therefore Saxon land holdings of Worth, Eastington, Acton and Langton.

At Studland, the coast has changed completely..no sand dunes then and the good arable land between chalk ridge, village and heathland is crowded with strips forming the common field system indicated as ‘hides’ by 1086. Studland Wood is larger than today but not ploughed since Roman times because Treswell’s map shows it then and under the trees today are the earthworks of ancient ‘celtic fields’.

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The East Common Field of Studland divided into arable strips between the chalk ridge of Studland Down and the village of Studland. Studland Wood is shown though larger than today. The tree cover preserved evidence of earlier Roman and preshistoric agriculture in the form of ‘celtic fields’. The name Castell Leyes may indicate the site of a 13th century coastal castle or fort referred to in medieval documents of King John.

The maps are a fabulous marker at a time when things moved slowly, reflecting far more of medieval life than can the later estate maps and tithe maps.

These Tudor surveys show how precious our landscape is. Built by the many generations of ancestors who have never been quite rubbed out. Their evidence is all around us. Treswell’s maps prove it !

Under the First Tower Corfe Castle

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Sometimes, at a distance, when the sunlight hits Corfe Castle… it seems whole again..

Just an illusion..it has been a battered shell since 1646, when, after a long siege, it was captured and blown apart by the Parliamentarians.

They made sure that the supporters of King Charles could not use it again..unpicking the defenses, trenching under the walls, packing with gunpowder and throwing the turrets and walls in all directions.

But this blog is also about something that happened 300 years earlier ..when Corfe Castle was one of the brightest and best within the league table of medieval fortresses.

About 1250, the 1st Tower was created for King Henry III.

When first added to the defensive circuit, this structure was a cutting edge design, built to protect the southern and western approaches. The barons were often restless.

A wonderful thing, with its rounded tower and its 3 arrow loop embrasures.. from these, bowmen or more probably cross bowmen could take aim and fell an attacker up to 300m away. A crossbow bolt could penetrate a knight’s armour.

We only know of one illustration and then only in plan.. drawn for the new owner Sir Christoper Hatton..14 years after it was sold to him by Elizabeth I. Such castles were old fashioned by then.

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Ralph Treswell’s 1586 survey of Corfe Castle shows the 1st Tower between the steps up to the Outer Gatehouse (right) and the Outer Bailey latrines (left). 60 years later it was blown in two.

The Parliamentary demolition team searched for weak spots and made them weaker. They set their charges and the explosion fractured the 1st tower.. right down its central arrowloop. It must have sounded like an earthquake in the town.. and when the dust settled, the east half leaned drunkenly outward and the west half  had been flipped 180 degrees coming to a rest half way down the hill slope.. This is where it has remained gathering soil, vegetation and scrub for another 371 years.

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Looking along the west wall of the Outer Bailey from the SW Gatehouse towards Corfe Village. The scrub covered fallen 1st Tower lies below the castle wall hidden by vegetation directly below the position of the church tower.

Other parts of the Castle have been cleaned and consolidated over the years but the chunks that lie tumbled across the slopes, or down by the river, have not. The largest of these pieces is the First Tower, and now …the scaffolding is upon it.

So last week I headed south through a cold winter morning of dramatic contrasts: on the high chalk downs, bright melting sunlight above vales of mist.. but down on the heath, thick freezing fog and brittle white frosted trees.

The caged Tower loomed but nobody was on it. I found them in the tea rooms beside the Outer Bridge. Architects, builders and property staff… after warm drinks we headed for the vertical ladder up from the ditch.

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The route up to the First Tower from the Castle Ditch. The standing half of the tower is on the right with part of the 13th century cross-loop visible, the other half is part buried beneath the lowest scaffolding.

A good time to visit. Most of the centuries of roots and soil had been removed. We climbed over the scaffolding and saw, up close, the medieval construction, types of mortar, the galleting of the joints and the different beds of Purbeck stone, the arrangement of rubble and fine ashlar.

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But everything in reverse. When we got to the top, we saw the great slabs of Purbeck Marble laid down as foundation layers before the tower proper was built above. Someone saw tool marks around their edges and suggested they may have been recycled coffin cover rough-outs.

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The foundation of the Tower made of large long slabs of stone, then rough block work, not meant to be seen, followed by the finely worked ashlar burr stone forming the battered plinth (three course vertical, three at 60 degrees and then vertical again rising to the top of the rounded tower).

A stranded whale of a thing, its construction now more visible than at any time since it was built.

Could we laser scan it and capture this revelation in time?

Yes it can be done.

It will be partly obscured soon, new mortar and capping needs to be placed over the Tower to protect the newly exposed structure from weathering.

Both halves will be digitised.

The scaffolding will be edited out, and then, by the touch of a button… the First Tower will be reunited again.

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All I want for Christmas……

It’s always exciting when I am handed bags of finds from work done by archaeological contractors in and on our properties.

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Box of delights

This week it was a few objects found by Ian, while doing a building survey, they were under the bedroom floor of a farmhouse in North Somerset. The main part of the house dates to the 18th century but it looks like it could go back  to the 16th or 17th centuries and was at times the home farm for a bigger estate.

I took out the bags and noticed it said wooden animal on all of them, so not the usual nails, fragments of wall paper, cigarette packets or chewed up paper from rat nests!

I took them out one by one, they were a bit nibbled but still recognizable as animals. But apart from the piggy they did not look like ordinary farm animals.

The wooden animals a pig, a Deer/Lama and a Sheep/?

The wooden animals a pig,  a Deer/Lama/?  and a long  legged Bear/?

I wondered if they could be from a set of Noah’s Ark animals, I remembered seeing one at one of our properties, so I searched our collections database and found quite a few images of very similar animals to the ones Ian found.

Wooden animal from the collection at Erddig, Wrexham

Wooden animal from the collection at Erddig, Wrexham

Wooden animals for Noah's Ark, from Felbrigg, Norfolk

Wooden animals for Noah’s Ark, from Felbrigg, Norfolk

Our animals have the remnants of paint on them so would probably have looked a little bit like the set below.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Close-up of the Pig showing evidence of paint

Close-up of the Pig showing evidence of paint

Close-up of the possible Bears head

Close-up of the possible Bears head

Probably more like this set from  Snowshill Manor

Close view of the wooden Noah's Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

Close view of the wooden Noah’s Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

So the rest of  the title would be ….. the rest of the Noah’s Ark animals, oh! and an Ark to put them in.