All I want for Christmas……

It’s always exciting when I am handed bags of finds from work done by archaeological contractors in and on our properties.

Box of delights

Box of delights

This week it was a few objects found by Ian, while doing a building survey, they were under the bedroom floor of a farmhouse in North Somerset. The main part of the house dates to the 18th century but it looks like it could go back  to the 16th or 17th centuries and was at times the home farm for a bigger estate.

I took out the bags and noticed it said wooden animal on all of them, so not the usual nails, fragments of wall paper, cigarette packets or chewed up paper from rat nests!

I took them out one by one, they were a bit nibbled but still recognizable as animals. But apart from the piggy they did not look like ordinary farm animals.

The wooden animals a pig, a Deer/Lama and a Sheep/?

The wooden animals a pig,  a Deer/Lama/?  and a long  legged Bear/?

I wondered if they could be from a set of Noah’s Ark animals, I remembered seeing one at one of our properties, so I searched our collections database and found quite a few images of very similar animals to the ones Ian found.

Wooden animal from the collection at Erddig, Wrexham

Wooden animal from the collection at Erddig, Wrexham

Wooden animals for Noah's Ark, from Felbrigg, Norfolk

Wooden animals for Noah’s Ark, from Felbrigg, Norfolk

Our animals have the remnants of paint on them so would probably have looked a little bit like the set below.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Wooden toy figures of Noah and his wife, and pairs of animals, next to the Ark, at Scotney Castle, Kent.

Close-up of the Pig showing evidence of paint

Close-up of the Pig showing evidence of paint

Close-up of the possible Bears head

Close-up of the possible Bears head

Probably more like this set from  Snowshill Manor

Close view of the wooden Noah's Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

Close view of the wooden Noah’s Ark with model animals made in the mid-C19th in the Black Forest area of Germany, collected by Charles Wade and displayed with other toys in Seventh Heaven, Snowshill Manor.

So the rest of  the title would be ….. the rest of the Noah’s Ark animals, oh! and an Ark to put them in.

 

 

 

 

 

 

 

Object of the month – very timely

As we head towards the end of the year, the passage of time crops up in many conversations; ‘where has the year gone!’, ‘I have no time to get everything done for Christmas’, ‘time is just flying by’. We take it for granted that we can look at our watches or phones and know exactly what the time is and how long is left in the day for those vital chores.

Over many hundreds of years the way to mark time passing has become more sophisticated, from water clocks and candles to digital and perpetual clocks. Early time devices, which relied on water, fire or the sun, were on the whole not very portable, but with all technology someone is always working on making things smaller!

During the excavations at Corfe Castle in 1989 we uncovered a curious flat bronze disc with strange symbols engraved on one side.

A bronze disc with engraved decoration and roman numerels

A bronze disc with engraved decoration and roman numerals

The symbols were roman numerals, but not like a clock we would recognise, from one to twelve, but four to twelve and one to eight. There were two raised sockets, one on the upper flat edge and one on a decorated bar that ran from one side to the other one third of the way down the inner edge. What we had found was part of a pocket sundial.

A drawing of the sundial showing the decoration and sequence of roman numerals

A drawing of the sundial showing the decoration and sequence of roman numerals

There would have been a ‘gnomon’, the usually triangular shaped part that casts the shadow, between the two raised sockets, and the ring would have been set above a compass. You would need to know were north was so that the sundial could be orientated north. You would also need to know what latitude were you were as each dial would have been made for use at different latitudes.

Engraved brass pocket compass and sundial with German inscription on the reverse the last letters reading 'And. Vogh'. Folding with a shaped outer rim. Part of the NT collection from Snowshill Manor Glos.

An example of a complete engraved brass pocket compass and sundial. Part of the NT collection from Snowshill Manor, Glos.

We contacted the British Sundial Society (sundialsoc.org.uk) for help to identify our dial. They told us that “the part of the pocket dial you have appears to be the top ‘lid’ of a portable dial typical of many from the late 18th early 19th century. The bottom part of the dial would have contained a magnetic compass in order to orientate the dial so that the gnomon faced north. The spacing of the hour lines around the ring indicate that the dial was made for the latitude of about 51 degrees and this would also have been the angle of the gnomon”

The 51 degree latitude line is the one that passes through Southampton

The 51 degree latitude line is the one that passes through Southampton

Corfe Castle is where the ‘t’ in Bournemouth is on the map, just to the south of latitude 51 degrees. We need to make a gnomon and take the dial, and a compass, to Corfe Castle to see if it works, something we have never done!  I will try and remember to post about our test when we have had chance to do the experiment. It’s catching a sunny day that may hold things up!

The diameter of the dial is 460mm

The diameter of the dial is 460mm

Conservation Audit

A few years ago we carried out an archaeology audit for NT Wessex. We gave a significance grade for all the properties A* to D (we are renewing it this year).

There were some obvious top hitters, like the famous Wiltshire World Heritage site(s) but there were the other A* places like Whitesheet Hill on the Stourhead Estate and Brean Down jutting out into the Severn Estuary. Collections of concentrated archaeology spanning the Palaeolithic to the Cold War.

The Cottage in which Thomas Hardy wrote his first poems and novels near Dorchester

The Cottage in which Thomas Hardy wrote his first poems and novels near Dorchester

Many properties were acquired with no thought of archaeological significance but it is hard to find a place that has nothing worthy of interest. Thomas Hardy’s cottage near Dorchester is perhaps just another 19th century cottage, a new build on heathland. I try to grade it low but when a trench uncovers a scythe, a medicine bottle and a marmalade pot used by his family, there is suddenly a physical link to the great Dorset writer that is difficult to ignore (he wrote “Far from the Madding Crowd” here).

19th century debris, once used by Hardy's family and found during an excavation last year.

19th century debris, once used by Hardy’s family and found during an excavation last year.

As for Max Gate, the nearby house he designed and lived in later in life, the property is massively important. Not for the Victorian house (unless by association with the great man) but because it lies above a Middle Neolithic enclosure almost 5000 years old. It is one of the closest matches to the earthwork around Stonehenge. It was discovered in the 1980s when the Dorchester bypass was constructed and all that remains (over 50%) lies under Max Gate.

Snowshill in Gloucestershire, is also not known for its archaeology. It’s about a unique collection of stuff put together by eccentric Charles Wade in the early 20th century, but it occupies a medieval monastic lodge converted to a manor house.

Snowshill Manor. The site of Wolf's Cove lies on the left side of the main house.

Snowshill Manor. The site of Wolf’s Cove lies on the left side of the main house.

Snowshill was the last Conservation Performance Indicator meeting (see March 16th “Shall we Stack the Naked Acres”) for old Wessex this year. Strangely it was not held in the Cotswolds but in a wooden hut in Leigh Woods (just as nice).

Snowshill has a lost village called Wolf’s Cove which will be excavated this year. It will then be completely reconstructed based on documents and archaeological evidence.

Quirky and true to Snowshill’s spirit of place. Wolf’s Cove was a model village with canals, harbour and railway created and developed into the 1930s and then removed in the 1970s. It’s still archaeology.

Finished by lunch time, I was then released into the Spring. Leigh Woods is a fabulous place on the edge of Bristol. Purchased and given to NT over 100 years ago by the Wills family to prevent it being developed. It is fringed by grand Edwardian houses (a clue to what might have been) but it survives as a quiet haven.

The view across the gorge to Clifton hillfort from Stokeleigh. Brunel's famous bridge on the right.

The view across the gorge to Clifton hillfort from Stokeleigh. Brunel’s famous bridge on the right.

I asked Bill the ranger how the uncovering of Stokeleigh Camp was progressing and he told me about the work on revealing the outer rampart. I took my lunch and prepared myself for the view. On a day like this, with the fresh leaves all around, it was great to sit on the edge of one of the lesser known but massive Iron Age hillforts in the south west. I chose a good vantage point and looked down into the Bristol Avon Gorge towards Brunel’s Clifton Suspension Bridge. Stokeleigh is the best preserved of the cluster of three forts guarding the gorge. Burwalls Camp has been largely destroyed by a housing development and Clifton, across the gorge, has been partly built on and gardened.

A freestanding copy of an Iron Age roundhouse built within the hillfort in 2009 as part of the celebrations for  the centenary of acquisition. Newly cleared ramparts behind.

A freestanding copy of an Iron Age roundhouse built within the hillfort in 2009 as part of the celebrations for the centenary of acquisition. Newly cleared ramparts behind.

Stokeleigh Camp is a conservation success story. Let to another organisation for many years it became overgrown and difficult to see and understand. The NT took it back in hand. In the last few years, the rangers and volunteers have returned it to woodland pasture leaving only the ancient pollarded oaks. No good clearing scrub from a site without grazing. A higher level stewardship scheme has provided the funds to introduce a few Red Devon cattle that keep the regrowth down. The place is now as it was in the early 19th century, when artists would come out from the city and sketch the landscape from the ramparts.